Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Tuesday, September 10, 2024

The Sword of Ixchel- Chapter 1: The Offer

(NOTE: This is an excerpt from my newly released debut novel, The Sword of Ixchel, which is now available in paperback and as an e-book on Amazon)

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Chapter 1: The Offer

The day his wife was stolen would haunt Molan Apraxas until the moment of his death. It happened beneath a flawless sky, rare during the jungle rainy season. Six days of unbroken storms abruptly ceased, and the clouds peeled apart to reveal perfect blue, horizon to horizon. Molan took a break from tilling to knead his aching neck as the sun poured over his maize field. 
    Yields are down, the village lord said the day before. If things don't pick up, Molan, we may need a sacrifice. Get back in the gods’ favor.

    Molan mopped his brow with the frayed end of his pati and exhaled slowly.
   "Xuna," he called to his daughter. She glanced up from the hewn dirt and leaned on her mattock. Her lanky shadow spread across the ground between them. "Not too close to the others."
   "I understood you the last time," she huffed.
   "You're doing very well," he added, feebly. She grunted something inaudible and turned back to the work.

Ancient Mayans novel

Molan prayed in silence. Give life to these seeds, he pleaded the gods. Let them resurrect the holy maize. He listened as Xuna’s mattock chopped moodily through the soil. And let my daughter’s roots sink deep. Help her grow tall and strong, not bent and broken like me.
    It was this precise moment when a distant scream pierced the perfect day and jolted him from his fieldwork. Seren, his wife and greatest love, was in trouble.
    “To me Xuna!” he cried, casting aside his tools. “Hurry!”
   Molan seized his daughter's hand and together they dashed for home as fast as Xuna's young legs allowed. Every terrible scenario swam through Molan’s head as they ran. There were many demons, gods and wicked men in the jungle whose attention they might draw. At last, they crested the final hill and skidded to a halt with dust eddying around them.

       Below, two enormous men surrounded their cottage door, armor and spears gleaming in that flawless sun.

          "Who are they?" said Xuna, unable to hide the tremble in her voice.
    The two warriors were tall and broad-chested. They packed the space beneath the cottage’s thatched awning. Plates of brine-soaked leather armor hung across their broad chests. They had identical, dark-teak skin knotted with muscle and long, sleek hair as black as a grackle. Each held a jade spear in one hand and a shield painted with a coiled snake in the other.
    The emblem was well known. The Kaan Dynasty.
    "Royal guards. Of Calakmul," he answered. Royal guards were only found with royalty. He squeezed his daughter's hand. "The gods will grant us courage."
    Molan eyed the twin warriors as he and Xuna approached. Up close they were huge. Wider than Molan by half and a full head taller. Their faces were identically grim and emotionless. Molan placed his hand on Xuna’s lower back and guided her between them into the cottage.
    A handsome, majestic woman occupied their family table with a cloud of warriors—twins of the two outside—hovering around her. Servant girls immediately attended to her every comfort. Molan had never imagined so many people in their tiny space.
    “Where is Seren?” he demanded. “What have you done with her?”
    "Molan Tak'aan," the woman said as she swept to her feet. The richness of her attire juxtaposed harshly against the cottage background. A jaguar-fur quechquemitl spilled from her shoulders, hems and straps embossed with jades, opals, and silver. Gold rings decorated each knuckle. Molan recognized her at once. She was Tunial Kin Mai, famed sorceress and high priestess of Calakmul, one of the two greatest cities in the realm. Molan had despised and feared her from the moment they'd met all those years before. “Do not worry about your wife. She is quite safe.”   
    "I insist to see her!"
          "
Or what?" said Tunial. Her dark eyes thinned to poisonous slits. Molan couldn’t stand to look at them. She thrummed with power and he was no match for it.
    "Nothing, my lady," he growled, slumping into a defeated bow and gesturing for Xuna to do the same.
    “As I expected, Molan Tak’aan.”
  "It is just Molan, kin mai.” His back cracked painfully as he straightened upright. “I vacated those titles long ago."
    The sorceress smiled hollowly. "No need to be coy, Molan Tak'aan. We both know all about your past."
    Xuna's head tilted in his direction and Molan attempted to catch her eye. Tunial must have noticed, for she appraised his daughter for the first time and grinned, exposing a full row of gem-studded teeth.
    "The kalomte heard rumors of your offspring." She brushed the back of her hand and its many rings over Xuna's cheek.
    "Kalomte now, is it?" said Molan, steering the conversation away from Xuna. "Ka'b Hix has finally grown a spine! I wonder what the King of Tikal thinks of his rival’s self-applied title?"
    "Insulting the High King of Calakmul in front of his priestess? Your famous runaway mouth continues to sow trouble for you!” said Tunial. She restored her too-cunning smile. In a flash, she seized Xuna's chin and turned her face from side to side.
    "Has your father ever told you that he was once the prized pupil of Naranjo?" Xuna glanced again at her father from the corner of her eye. "Speak, girl!"
Map of Ancient Mayan cities
    "No, mother," Xuna said meekly.
    A servant gasped. "Mother" was a formal address to an older woman but inappropriate for the high priestess. A commoner could lose a head for such a blunder.
    "Your father has no honor, no courage. So afraid of the gods' judgement that he renounced his own lord, his own people, all to retire to... this?" She gestured at the dusty shack.
    “Perhaps you could get on with whatever purpose you came for,” interjected Molan. “The village lord is threatening sacrifice if we don’t meet crop quotas. I quite value my head. I need Xuna and Seren’s help if I plan to keep it attached to my spine.”
    Tunial glowered at him for a moment then nodded to one of her servants, who extended a folded swatch of red material. Molan accepted it tentatively.
    "The kalomte's oldest son has been stolen. This token was left at the scene.” After a pause she added, “Only someone very powerful could have managed the crime.”
    Molan unfolded the material and stared blankly at the woven symbol of a hawk encircled with gold runes.
    "The emblem of your dead king in Naranjo,” said Tunial. “A sigil that has been banned for what? Fifteen years?"
    "I am sure Ka'b Hix has others much smarter than me to figure out his little mystery," Molan responded. He re-folded the material and offered it back.
    "You misunderstand things, Molan Tak'aan. Ka'b Hix has passed into the Underworld. Ka'an Paktik is kalomte now."
    "Sky Witness," Molan muttered, rendering the name into the commoner dialect. Sky Witness was just a young prince when his father and the lords of Calakmul sacked Molan's home city. Young but already shrouded in infamy.
    "Kalomte Sky Witness believes you are most suited to answer this riddle. You are the only one left of the old, dead Naranjo order, after all."
    "Sky Witness is even more of a fool than people in the taverns whisper if he thinks I had something to do with this."
    "I am tired of your words, Molan Tak’aan,” she said with a bored flick of her hand. “Your choice is to follow his orders or watch pain fall on everyone around you." She stepped closer until their noses were almost touching. She smelled sweet, like spices and cacao. "Produce the kalomte's heir or your wife will suffer. That is Sky Witness’s offer."
    Molan swallowed. For a long moment, silence hung heavy in the air. He wanted to resist but couldn’t risk harm coming to Seren or Xuna. Or himself.
    "Tell the boy king I will do what I can," he growled in defeat.
    Tunial grinned. “I knew King Sky Witness could count on you.” She nodded to her guards, and the troupe filed neatly from the room leaving only her sweet lingering scent as evidence they’d been there at all.

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All writing is the original work of Brian Wright and may not be copied, distributed, re-printed or used any form without express written consent of the author. Find out here how to CONTACT me with publishing and/or use questions 



Monday, December 18, 2017

In Defense of Epic Fantasy

Heroic. Majestic. Impressively great. So reads one definition of the word “epic.” Simple and concise, these three modifiers together provide a useful frame upon which we can define one of the great traditions of literature: epic fantasy. 

Fantasy can be anything you want. Even something illogical
like a gravity-defying castle in the sky
The roots of fantasy stretch as far back as storytelling itself. Who could argue, after all, that the Odyssey or Beowulf, with their majestic heroes, supernatural entities, and sweeping settings, are anything other than early seeds that germinated into today's fantasy epics. Reaching back even further, fantasy-like tales of great beasts, gods, and noble protagonists have populated fireside mythologies and oral histories since the inception of language.

What is it about these stories that grips the human psyche? Is it that the archetypal heroes common to epic fantasy represent an ideal to which we all can aspire? Is it that epic fantasy is, in many ways, the superlative expression of human imagination in storytelling?

Perhaps the answer is even simpler. Perhaps fantasy is merely the most thorough example of pure escapism: a complete turn away from the "real" world to a place where anything that can be dreamt is possible.

No discussion of modern fantasy, especially epic fantasy, is complete without a nod to J.R.R. Tolkien and his pioneering work, The Lord of the Rings. It is to this keystone example which all modern enthusiasts owe their allegiance. The Lord of the Rings established much of the literary etiquette that still defines the genre: comprehensive settings, exhaustive worldbuilding, thematic majesty, stakes with universal implication, massive battle campaigns, and larger-than-life heroes. At a time when Modernists like Ernest Hemmingway were reaching their apogee, Tolkien dared to conceive something entirely different: a tale so fresh and inventive the trajectory of fiction was forever changed.

In the ensuing years after Tolkien’s 1958 seminal work, other grandmasters have maintained and built upon the epic fantasy tradition. Each with his or her unique influence, these greats stood on the shoulders of titans and pushed the genre in fresh and exciting directions. Writers such as Robert Jordan with The Wheel of Time, and Terry Brooks with The Sword of Shannara are pillars propping the roof of the epic fantasy castle. Others like Brad Sanderson, Stephen R. Donaldson, and Tad Williams (among others) have played their part, setting the bar for what is possible and enjoyable in the genre.

Today, the proud tradition of epic fantasy remains as strong and vibrant as ever. The staggering success of George R.R. Martin’s A Song of Fire and Ice proves its continued relevancy for the modern audience. Other contemporary classics, like Patrick Rothfuss’s The Kingkiller Chronicle or Stephen King’s The Dark Tower, blend epic fantasy with other modes of speculative fiction, continuing the ongoing evolution as we move into the literary future.

As a reader and eventual writer toeing my way into these vast waters, I have occasionally been swept away by the breadth of some of these monoliths of imagination. While some readers flinch at the sheer length of epic fantasy stories, others, like me, find that the more visceral and comprehensive these fictional worlds become, the more thoroughly we are able to suspend our disbelief and achieve full immersion.

Fantasy literature encourages me to recall the imagination I possessed as a child: belief in things like magic and monsters, witches and wizards. We reach a certain age when society demands us to accept such things as worthless platitudes. But fantasy arms us to fight against this grain and escape back into the neglected creative depths of our minds.

The power of fantasy, however, resides not just in the facilitation of this escape. Fantasy allows us to engage themes alive in the real world also. Employing the veil of fiction and the power of entertainment, these stories compel the reader to tackle real-life issues with far greater ease. In much the same way that indigenous peoples used mythical oral histories to transmit moral codes from one generation to the next, today we can use fiction and fantasy to promote mores that will improve society and the world.

In his classic work "Ars Poetica," the Roman poet Horace articulated that, “The aim of the poet is to inform or delight, or to combine...both pleasure and applicability to life.” Perhaps no greater argument for the joy and necessity of fantasy has ever been written.

In the end for many of us, it doesn't matter if we justify epic fantasy as culturally relevant or not. We simply don't want to lose touch with the power of our imaginations.
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All writing is the original work of Brian Wright and may not be copied, distributed, re-printed or used any form without express written consent of the author. Find out here how to CONTACT me with publishing and/or use questions 


Thursday, March 16, 2017

Obsession, Love Letters, and Book Reviews

Everyone loves their own opinion. Recently I've become convinced that this self-obsession, this overbearing lust to bask in our own perceived magnificence, is very reason the internet exists. The virtually unlimited comment sections and forums are the ultimate medium for people to blather on unedited about any and, well, every topic. Sometimes it is just worthless word soup. Other times, hearty chicken noodle.

I'm no better. For me my opinion is probably the most important opinion in the world (shouldn't your opinion be for you?).  I'm an opinionated person, I admit it. However, I'm not rude about it, like some people, nor am I afraid to listen to what others have to say. I love a spirited debate. And one thing I definitely have an opinion about as an editor, literature major, semi-professional writer, etc, is books.

Admittedly, I'm a little disappointed in myself right now. Book reviews are a probably one of the most common and probably uninteresting topics for a blog post and now I'm guilty of it. There's two reasons for this generic and rather mundane bit of writing:

1) Love letters- Yes, that's right. Books and writing are what I love, so I tend to hammer out a great volume of letters (also words and sentences) about them.

2) Obsession- With my brand new work-in-progress that is. Having reached near crisis levels on all three of my unfinished manuscripts for various reasons, I decided the best option was to put them all aside for awhile and start something new. Against all odds, in poured a new idea that gripped me like a row of serrated teeth. Over the last few days I have been obsessed, hitting stupid daily word counts like 7,000 effortlessly (something that seemed so rare historically for me.) Yesterday I wrote 11,301 words, which I'm pretty sure is a new personal best. In fact, I'm super eager to just get through this blog post so I can start hammering away on my new story again.

So enough jabbering. I'm going to risk sharing my own opinions about a few books I have recently read. Take them for what they are...just another person's viewpoint. Maybe it helps, maybe it's just word soup.

BOOK 1

Look to Windward
by Iain M. Banks
Amazon scores: 133 total reviews (5 star: 61%; 1 star: 2%)

The Good:

Imagination- The Culture series is an impressive feat of human imagination. Look to Windward was the third book I've read in the series and in this area it did not disappoint. Banks lays out some seriously creative ideas for the future of humanoid civilization:

  1. Orbitals. Ring-shaped, planet-like artificial constructs that are mobile, controllable and form the new home to most of the trillions of inhabitants of the Culture.
  2. Futuristic extreme sports, like lava rafting. I love rafting but what would make it even more exciting? Friggin' lava!
  3. Unique alien species like the behemothaur, a continent-size flying whale-like creature circling for millennia around inhabitable gas giants. 
  4. Minds. hyper-intelligent sentient AI which run essentially everything about the Culture while the humans bask in post-scarcity bliss. 
  5. Sublimation. Once a species reaches a certain technological level they are actually able to download their minds and souls into an artificially created "heaven."
Complexity- Counter to many examples, both historical and modern, of speculative fiction, Banks's writing borders at times on literary, plumbing intriguing questions of humanity, and forging it all together in tangled webs that resolve in beautiful, but sometimes untidy denouements that feel remarkably poignant.

The Bad:

Over-complexity- Sometimes, and this seems especially true in Look to Windward, Banks gets a little too complex. In Windward, I found it challenging to keep up with the many plot lines. It seemed each time I started to really get into the action, I was whisked away to some other time and place, sometimes another world, having to start back from scratch, learn a new character, try to decipher their motivations, and succeed just in time to be transported away somewhere else. In a relatively short novel (400 pages) there just didn't seem to be enough time to develop it all.

Static characters- Perhaps due to the aforementioned over-complexity and the multiple plot lines, I just never felt like a knew a character long enough to feel the dynamics of their minds, or engage in deep empathy which for me is what makes a novel great.

The Conclusion

All-in-all I would give this novel a 3 of 5 stars. What sticks with me more than the story or the characters was the impressive world-building. This cutting-edge world (or more accurately, galaxy) building took the standard good-against-evil Star Wars-esque space opera and shoved it into a whole new plane. However, sometimes I enjoy a good character-driven story like Star Wars where the plot sinks beneath the interactions of the characters whom you have formed deep empathy for. This lack of character relation, sadly, is where this otherwise excellent book fell short.

BOOK 2

The Fifth Season
by N.K. Jemisin
Amazon scores: 416 total reviews (5 star: 71%; 1 star: 2%)

The Good

Refreshing- As fantasy writers there is something we all have to face: the old tropes, the pseudo-medieval world where a young, innocent character is thrust into a large world and becomes a powerful superstar, is tired. Exhausted really. Yes, great examples of this overused idea are still written, published and successful every year, but it is good to breathe something fresh. In some ways, The Fifth Season is not that much different, but it infuses just enough freshly squeezed lemon juice in that stale old water to give it a new flavor. The world building was intriguing and original, the setting was entirely new, the theory behind the magic was unlike anything I'd been exposed to, and the characters were refreshingly non-Eurocentric. 

Interestingly complex- There are three main plot lines in The Fifth Season. To avoid spoiling some great movements within the book all I will say is I enjoyed how they all tied together. It had hints of the literary qualities that push and challenge readers in an interesting way but didn't allow them to become heavy-handed to the point of ruining the story.

The Bad

2nd Person!- When I first saw that this book had sections written in second person, I almost threw it in the trash. I hate 2nd person and almost never see the use for it. At best it is a tolerable distraction and at worst it can completely ruin an otherwise interesting story. Luckily, the entire book is not 2nd person, only about one-third of it, and Jemisin pulls it off fairly well. Still, I would have preferred had she left it out entirely. In my humble opinion, it did nothing to make the story better and it felt like a heavy-handed and unnecessary grasp at originality.

Forced Diversity- I saw on the negative Amazon reviews several people complain about this and  I almost have to agree to some extent. Despite what I said earlier about being glad the book was not centered around a bunch of white, European males, the forced diversity in this novel almost felt like one of those contrived McDonalds commercials where a Hispanic, a white guy, a black guy and an Asian are all sitting around a table together. I have no problems with gay characters, transgender characters, black characters, or people of any other race, size or sexual orientation, but I strongly feel it has to be for the better of the book. Characters are who they are because they exist in a world that should feel real. And though writers have to be mindful of their audience, and the conscious or even sub-conscious ways we can influence the world, I felt in this case like at least some of the diversity was inserted as an afterthought is an attempt to prove she was being inclusive. As a counter example, although Game of Thrones is a strongly "white-dude" dominated book, the inclusion of a small person, a couple of gay characters, a bastard, a tomboy, etc, all felt decidedly important and these characteristics were used in a way that made the story better.  

Conclusion

I really enjoyed this book. It was a rare page-turner for me and I finished it in three days, immediately ordering the sequel when I was done. N.K. Jemisin deserved the Hugo Award for this rather brilliant piece of speculative imagination and I look forward to her future writing with great interest. The above criticism did not distract from the story in a significant way, perhaps only keeping this book at a "I really liked this book" level rather than a "this is one of my favorites." I would give it somewhere along the lines of 4.2 out of 5 stars.

BOOK 3

The Color of Magic
by Terry Pratchett
Amazon scores: 969 total reviews (5 star: 56%; 1 star: 2%)

The Good

Creativity- I'm a latecomer to the Terry Pratchett phenomena. The Color of Magic is the first in the Discworld series, which spans some 41 novels that have sold over 80 million copies. It was published the year I was born (1983). The Color of Magic is a parody of the fantasy genre, much like Douglas Adams parodied sci-fi with A Hitchhikers Guide to the Galaxy in 1979. While poking fun at fantasy classics like The Lord of the Rings it also became a classic itself. And rightfully so. It is unique, creative and funny and provides a breath of fresh air to the usually heavy, good vs. evil structure of so many fantasy epics.

Funny- I love a good comedy. Who doesn't? Life should not be taken so seriously all the time. The light-hearted desire for a bit of laughter is what prompted me into Discworld, and I'm glad I did. Images like in the prologue when a group of observers lower themselves over the edge of the rimfall at the edge of the flat disc-shaped world only to discover they whole planet was propped up by four elephants standing on the back of a meteor-pocked turtle, or the sentient, many-legged trunk (who belongs to the first ever, and lovably naive tourist, to the city of Morpork's) who is prone to biting off the hands of anyone tempted enough to reach in for the bags of gold it carries around, are what make this book the hilarious and fun read it is.

The Bad

Lack of Poignancy- Okay this may seem a bit contradictory because some of the very things I listed as "good" qualities of the book are also some of things that keep me from loving it. While I enjoy the goofy, irreverent humor, I also found its silliness a barricade to my overall enjoyment. I guess I'm a sucker for a book that hits all of my emotions: excitement, fear, sadness, love, joy. In short, I love books that can stir humor into an otherwise serious cauldron. In essence, this notion, that the very goofy nature that gives this book its unique edge also eviscerates the other emotional connections, is the heart of my criticism. While I sort of like Rincewind, the Quixotic and hapless "hero" of this tale, I don't find myself particularly empathetic with his story and I did not care enough about what happened to him in the end.

Conclusion

Take this book for what it is: a goofy break from the legions of dark, serious and mythical volumes of fantasy novels in the modern canon. I enjoyed reading this book, but it wasn't a page turner. And for me I feel I "got the gist" and don't feel particularly compelled to read on in the series.


If you enjoyed this post, consider signing up for my mailing list. I blog about all sorts of crazy, educational, entertaining, and occasionally funny topics from what makes an effective first paragraph in a novel to giant redwoodsmedieval sailboats, the ancient Mayans and more. If you do sign up, you will get a once-a-week update on my posts and NOTHING ELSE! No spam, no selling your email to third parties. Okay, if I ever get around to publishing one of these works in progress that are constantly haunting me, I might send out an email letting you know. In the meantime thanks for reading.

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All writing is the original work of Brian Wright and may not be copied, distributed, re-printed or used any form without express written consent of the author. Find out here how to CONTACT me with publishing and/or use questions